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Guitar Effect Pedals – Phaser Pedals

Phaser pedals allow you to get really unique sounds out of your guitar. If you’ve ever wondered how Van Halen got that slow, sweeping sound in his epic guitar solo in “Eruption,” or if you are chasing that psychedelic vibe from Hendrix’s “Little Wing,” look no further than a decent phaser pedal! A phaser is often used to achieve a Wah sound, or a sound that is similar to a Leslie rotating speaker, but make no mistake, this effect can be used in a multitude of manners (as demonstrated by Jimi Hendrix). Phasers are also often used on other instruments … Read more

Great Jazz Licks over the I-iv-ii-V and ii-V-I

After learning how arpeggios are used to improvise and exploring the foundations of improvisation, it’s important to learn from the great improvisers and how they applied the theory so that we can reproduce these techniques in a musical and more authentic way.  One of the best ways to start internalizing the jazz language is to transcribe these great musicians. By transcribing we develop not only our ear, but it also allows us to train our muscle memory to feel swing, accents, and particular passages that are very common in, and are a crucial part of jazz music from a range … Read more

Monthly New Lessons – July 2018

The month of July has been an exciting month here at LPM. Here is a list of all the lessons & trailers, released in July. If you like what you see, you can check out the lesson by clicking on the respective buttons. Week 4 (23rd July) Minor Seventh off the A String A minor seventh chord is a minor triad with an added flattened seventh. This chord is common in rock tunes. Check out the lesson >> Playing the Hi-Hat Pedal with Left Foot Learn how to use the left foot as a timekeeper while playing funky grooves. You’ll learn … Read more

Understanding Time Signatures and Meters: A Musical Guide

At the beginning of practically any score of music you have ever looked at there are numbers and symbols that clarify how to interpret the music notation in the score. As a music learner, you’ve become familiar with these symbols and you know that the numbers tell you how to interpret the music’s rhythms, how to count and keep track of the beat, and that if you’re playing with other performers—the numbers help you stay together! Yet, there are so many numbers and so many ways for these numbers to be written: These are just some of the time signatures … Read more

Bach’s Favorite Piano Practice Exercises

Johann Sebastian Bach (1685-1750) is one of the most famous composers of all time, and since his death, nearly all serious pianists have studied his works, which are seminal examples of the artistic style that was popular during the Baroque period. The Baroque period is known for its increased complexity and ornamentation in comparison to the artistic movements that preceded it. In Bach’s case, he helped to expand upon and codify a number of musical concepts that are ubiquitous today, like modulation (moving from one key center to another key center) and counterpoint (multiple voices with their own individual melody … Read more

Guitar Effect Pedals – Distortion Pedals

Distortion pedals often can have an identity crisis of some sort; many of them can double as a fuzz or overdrive pedal, and some can even be tweaked to fill in all three roles of overdrive, distortion, and fuzz. Although many of us may prefer to own a pedal that’s a little more versatile, more often than not, a pure distortion pedal will sound and function better than a pedal that’s made to fill multiple roles. When it comes to guitar effects pedals, the saying “Jack of all trades; master of none” often holds true. That’s the reason why you … Read more

7th Chords, Their Arpeggios, and Why We Use Them

Chords are something we deal with everyday in music. Written down on a page, they can be as simple as just ‘A,’ or a completely terrifying ‘Amaj7#11b9’! By discussing the 7th chord, we start our journey into understanding the nature of extended chords, what they imply, and why they are not as terrifying as we may have thought. Delving further into chords gives us a much broader understanding of harmony in not just jazz, but all areas of music. So, whether you are playing classical, rock, jazz or even musical theatre, you will be able to apply this knowledge of … Read more

Monthly New Lessons – June 2018

The month of June has been an exciting month here at LPM. Here is a list of all the lessons & trailers, released in June. If you like what you see, you can check out the lesson by clicking on the respective buttons. Week 4 (25 June) The Choke Technique Learn what a choke technique is and how it’s used in various music genres such as jazz music. We’ll look at how to pull off the choke technique. Check out the lesson >> Primary Triads Primary triads in the major key are the tonic, subdominant and dominant. When you label these … Read more

An Introduction to Salsa Drumming: Rhythms and Applications

Now that we have a basic understanding of the history of salsa music, we will take a more practical approach to how it is played. We will trace the roots of salsa back to its son origins, looking at the fundamental salsa rhythms that came from this more folkloric Cuban style, before discussing how and when the style became popular. We’ll also discuss how the drum kit can be incorporated into a style of music in which it isn’t traditionally played. Salsa and its Son Rhythmic Foundations Salsa has many similarities with Cuban son music. In fact, the relationship between … Read more

Getting Started with Bach – 6 Key Pieces for Beginner Pianists

Getting Started with Bach Few composers from history inspire awe and veneration quite like Johann Sebastian Bach (1685–1750). The ability to play Bach is a goal aspired to by players the world over. However, Bach’s work provides a unique challenge for budding keyboardists, due in large part to its use of a stylistic mode of compositional design known as counterpoint. A predominant feature of music during the historical period known as the Baroque Era (1600–1750), counterpoint treats each ‘line’ of music as an independent melody. The goal of the contrapuntal composer is to weave together multiple lines to create a … Read more