Discovering Keys: Part 2

Applying Scales and Chords to the Study of Keys Part II In Part I of this article series, we illustrated how some of the most basic tools in our musical tool-box could be employed to achieve a functional, foundational understanding of the the concept of ‘keys’ in music. By reinforcing our knowledge of scales and chords and then distilling that knowledge for the purpose of understanding keys, we were able to able to reveal the infrastructure behind keys as a product of the common musical devices we know and use everyday. To further summarize: At the core of all keys … Read more

Discovering Keys: Part 1

Applying Scales and Chords to the Study of Keys From the beginning of this series, we set out to achieve a succinct but comprehensive understanding of what keys are and how they can help us in our musical pursuits. We started by presenting a common musical scenario heavily dependent on keys for its construction and learning potential (in this case, a snippet from Mozart’s Sonata No. 16 in C major, K. 545). We then highlighted some of the most basic infrastructural components we find in music (chords and scales) for the sake of reinforcing the knowledge base we’ll need to … Read more

No Need to Give Up! Special Tips for Small-Handed Pianists [Part I]

“How can you play the piano with such tiny hands?!” I have been asked this many times in my life. Yes, I do have small hands; my maximum reach is just an octave. It’s not even a comfortable reach – I barely reach one octave. After years and years of trying different methods and techniques to reach more notes comfortably, I have come to the conclusion – I have to adjust the techniques according to my hand size. I have to find what works for ME, not simply following what is “believed” to be a good technique. The more challenging … Read more

What are Keys: Learning About Chords

What are Chords and How Can They Help Us Learn About Keys? It starts off by being just a thing you do, and why wouldn’t you? For piano or guitar—for pretty much any instrument on which you can easily play lots of notes at the same time, really. Whether you see it in the music you’re learning or try it out of pure curiosity, at some point you’re going to do it…. You’re going to play a chord. Chords have been a staple device in the music of the Western world for, well, a long time. Prior to the Baroque … Read more

What are Keys: Learning about Scales

What are Scales and How Can They Help Us Learn About Keys? Have you ever had conversation with someone about their bygone days of learning a musical instrument? Often the story goes: “You’re taking music lessons?” Nice. Yeah, I took some piano lessons when I was younger. I really liked it, but I really wasn’t any good. Think I learned Fur Elise and some Mozart and, you know, did scales and stuff…” It seems we’ve all heard of–or practiced–scales at some point. In terms of learning our instruments, practicing scales serves as an accessible method for improving our technique and … Read more

What are Keys and Why Should We Know About Them?

In the Key of… “In the key of…” — we rarely get far into our musical endeavors before we find ourselves faced with this phrase. Minuets in the key of G, Sonatas in the key of A, Nocturnes in the key of E minor, Fugues in the key of F#, and so on. But what does being “in the key of ” something really mean? As beginners, we learn that it in some way refers to the number of sharps or flats (generally referred to as accidentals) we encounter at the beginning of a piece. We learn that this key … Read more

Ultimate Injury Prevention: How to Gain Body Awareness for Pianists

Piano playing requires extremely repetitive muscle movements. For example, if you play quarter notes consistently at 120BPM, after an hour, the repetition will require your muscles to contract and release 7,200 times…with eighth-notes 144,000 times… with sixteenth-notes 288,000 times! This many muscle movements add a lot of stress to your body and there is a high risk of injury if you do not pay attention to your physical needs. Musicians need to take care of their bodies, just like athletes do. Sadly, however, most of us do not listen to our body until we experience pain or discomfort. Take some … Read more

How to Practice Piano Effectively: A Comprehensive Practice Guide for the Busy Adult Pianist

You’ve said it before, “I am going to finally learn how to play the piano!” You were so excited and motivated. But after a full day of working, exhausted, you thought: “I’ll practice piano tomorrow…”  A day passed, a week passed, and a month passed… Before you know it, your books were collecting dusts and you couldn’t even remember where you are in the method book. This is very a common phenomenon for adult pianists. Learning piano as an adult can be challenging; with a full-time job, taking care of the family, household chores….your day is already jam-packed with a … Read more

10 Most Influential Jazz Pianists You Should Listen to

The number of truly wonderful pianists is astounding. There are countless innovative and unique artists that have taken composition and performance to new heights. It can be easy to get discouraged with your own playing in the face of such greatness, but I’d like to point out that there is one thing every great pianist has in common, regardless of time period or style – they all were inspired by and influenced by those who came before them! When I first started learning to play piano, I only played and listened to classical music. I wasn’t exposed to jazz until … Read more

Bach’s Favorite Piano Practice Exercises

Johann Sebastian Bach (1685-1750) is one of the most famous composers of all time, and since his death, nearly all serious pianists have studied his works, which are seminal examples of the artistic style that was popular during the Baroque period. The Baroque period is known for its increased complexity and ornamentation in comparison to the artistic movements that preceded it. In Bach’s case, he helped to expand upon and codify a number of musical concepts that are ubiquitous today, like modulation (moving from one key center to another key center) and counterpoint (multiple voices with their own individual melody … Read more